Yup, I'm back, again. Didn't mean to let a month get away from me, but shucks, every time I wake up it's Friday morning again, and I'm due in class to lecture for 2.75 hours. That's how fast the weeks seem to by flying by!
And I'm back to working on garb. Over the last few days, working at the dining room table while everyone else is gone, I've cut several new pieces. The eyelets are the back lacing of a gown that will be somewhat like a cotehardie, and appropriate to wear under a sideless surcote. I'm doing my test-run of the much altered pattern, Simplicity 8725, in a regular fabric, a dark purple/plum, rayon/linen blend. I know that doing a muslin is a good idea with any new pattern, especially with my fitting issues, but I just don't want to put in the extra time right now.
I cut the bodice portion pretty much as is, tapering out from my bodice size on the pattern, to the largest size in the hip area. I did not cut the flare at the side seams as the pattern was drafted. At the hip area, where it angled out for the flare, I just cut it straight down to the hem, so it's actually a lot like the patterns that one sees on sites like Robin Netherton's, a rectangle-based garment. It hasn't been so carefully fitted through the bust, as it would be if I'd followed Robin's directions, but it's a start, and it's one that I can do without someone to pin me into the muslin.
I'm adding the fullness through wedges added at the side seams and CF/CB. I'm not sure how full it will be when finished.
I've also cut 2 chemises from the La Fleur de Lyse Medevial Romanesque pattern. I'd cut the gown for the 1150 lady last winter, and was pretty happy with how it turned out, but with its V-neck, it really does need a chemise to look right, so I haven't worn it much. I also cut outer gown/tunic for the 1060 Lady in a teal/turquoise linen. It will have the wide sleeve and so will need an undergown as well as the chemise, so I may have one more piece to cut there.
I've cut sideless surcotes in several fabrics: a woven-in-striped home dec fabric in dark plum, a dark brown velveteen, and a red woolen. I'd like to cut one or two more, but can't decide on fabrics and need to finish gowns for those 3 anyway. I am thinking of one parti-colored though.
And I cut several hoods too! I wanted to experiment with the hood patterns that I've found on-line. I drafted up patterns from Mistress Tangwystle's and Cynthia Virtue's diagrams, both from Cynthia's hoods article. I also drafted up a pattern from one of I.Marc Carlson's diagrams. Since I'm using up leftover bits of wool from other garments, I cut two in grey, two in navy and one in brown. I have a couple of other patterns to try too, one from a Big 4 company, and one from DL designs, and plenty of the brown for those, as well as some luscious red, so I'll have hoods to wear and hoods for family or to sell.
Enough cutting, at least until I know how things are fitting. Then I can see what I need to go with the new pieces, and what fits well enough to be worth cutting again.
I've been thinking about getting some of the other patterns in the La Fleur de Lyse line, and maybe a couple from Reconstructing History. But it's not like buying patterns at JoAnn's for $.99 or $1.99. These make a much bigger dent in the budget. Once I see how the altered S8725 works, then I can figure out if I really need the RH cotehardie pattern or not. If not, then why bother? Then I could maybe get the Florentine patterns from RH and start another era in my costuming.
Not sure I need the men's pattern, but I'm curious.
Have this one, and once I figured out how it worked, I really do like it. Truly, it's a lot like any of the rectangle-based gowns that you can find online, but it's worth while for the information that comes with the pattern.
Again, just curious.
Could use this one for the stockings.
I'm going to try using the pattern from S8725 for a chemise to go under the gown. Again, if it works, then I may not need this, but I'm curious. I might order this one anyway.
La Fleur de Lyse has accessories too, so I'll probably have to decide between that one and this one.
These last two go together and I like the look. Once I'm caught up on my planned medieval stuff, I'd like to try these. Of course, I'm also mapping out plans for some Tudor stuff from Margo Anderson's Tudor Lady's Wardrobe. Don't think that I'm going to run out of sewing for a while...and I'm not even considering all of the mundane cutting and sewing waiting for me! Ouch!
Ok, I think I'm rambling badly, and not getting any photos in here either, so I guess I should get back to the sewing room.